Lot of 5, Ben Affleck, Gwyneth Paltrow MINT stills BOUNCE (2000) Don Roos, Alex

Description

(They ALL look MUCH better than these pictures above. The circle with the words, “scanned for eBay, Larry41” does not appear on the actual photograph. I just placed them on this listing to protect this high quality image from being bootlegged.)
Lot of 5, Ben Affleck, Gwyneth Paltrow MINT stills BOUNCE (2000) Don Roos, Alex D. Linz, David Dorfman – GET SIGNED!
This lot of approximately 8X10 photos will sell as a group. The first picture is just one of the group, please open and look at each still in this lot to measure the high value of all of them together. The circle with the words, “scanned for eBay, Larry41” does not appear on the actual photographs. I just placed them on this listing to protect these high quality images from being bootlegged. They would look great framed on display in your home theater or to add to your portfolio or scrapbook! Some dealers by my lots to break up and sell separately at classic film conventions at much higher prices than my low minimum. A worthy investment for gift giving too!
PLEASE BE PATIENT WHILE ALL PICTURES LOAD
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These photographs are original photo chemical created pictures (vintage, from original Hollywood studio release) and not a copies or reproductions.
DESCRIPTION:
In this romantic comedy-drama, two people whose lives were touched by the same tragedy find love. Buddy Amaral (Ben Affleck) is a successful L.A. advertising executive who has a way with the ladies, but inside he longs for a meaningful long-term relationship. One day Buddy sells his seat on a sold-out airline flight to a stranger; he's shocked when the jet crashes and the man is killed. A year later, still haunted by the incident, Buddy looks up Abby Janello (Gwyneth Paltrow), the victim's widow, who is now selling real estate to support her children. Buddy soon finds himself attracted to Abby, and the feeling is mutual, but while he's interested in marriage, he isn't sure how (or if) he should tell her that he was indirectly responsible for her husband's death. Bounce was written and directed by Don Roos, who made a splash with his independent debut The Opposite of Sex; supporting Affleck and Paltrow are Natasha Henstridge, Jennifer Grey, David Paymer, and Joe Morton.
CONDITION:
These quality vintage and original release stills are all in MINT condition (old yes, but they look like new). I doubt there are better condition stills on this title anywhere! Finally, they are not digital or repros. (They came from the studio to the theater during the year of release and then went into storage where the collector I bought them from kept them for over 13 years!) They are worth each but since I have recently acquired two huge collections from life long movie buffs who collected for decades… I need to offer these choice items for sale on a first come, first service basis to the highest bidder.
SHIPPING:
Domestic shipping would be FIRST CLASS and well packed in plastic, with several layers of cardboard support/protection and delivery tracking. International shipping depends on the location, and the package would weigh close to three quarters of a pound with even more extra ridge packing.
PAYMENTS:
Please pay PayPal! All of my items are unconditionally guaranteed. E-mail me with any questions you may have. This is Larry41, wishing you great movie memories and good luck…
BACKGROUND:
Igniting rumors that their on-again, off-again relationship was back on, Ben Affleck and Gwyneth Paltrow paired up for this above-average love story that toys with issues of fate and destiny. The two stars had become sickeningly cutesy and larger than life when this film was released, which may have turned audiences away from what should have been a box-office hit. But Bounce finds both performers toning down their personas and coming across as vulnerable and loveable, which is the key to its surprising charm. Paltrow is especially affecting as the widow Abby Janello, seen a year after the disaster, using defense mechanisms and a fragile supply of self-confidence to get her life back on track. Once the tragedy knocks the simpering smile from Affleck's face, he too is just trying to survive in his new guilt-ridden existence. The movie succumbs too often to plot contrivances that are beneath it. The most egregious is Affleck's teary courtroom apologia near the end, a self-indulgence that no judge would tolerate, which also happens to be aired live on Court TV so Abby can watch it. Johnny Galecki, who appeared in writer/director Don Roos' previous film, The Opposite of Sex, is also out of place as an insubordinate assistant who mocks Buddy's alcoholism, but ends up serving as sort of a guardian angel to him. Still, the stars make Bounce more than watchable.
Tall and handsome in a meat-eating sort of way, Ben Affleck has the looks of a matinee idol and the resume of an actor who honed his craft as an indie film slacker before flexing his muscles as a Hollywood star. A staple of Kevin Smith films and such seminal indies as Dazed and Confused, Affleck became a star and entered the annals of Hollywood legend when he and best friend Matt Damon wrote and starred in Good Will Hunting, winning a Best Original Screenplay Oscar for their work.   Born in Berkeley, California on August 15, 1972 to a schoolteacher mother and drug rehab counselor father, Affleck was the oldest of two brothers. His younger brother, Casey, also became an actor. When he was very young, Affleck's family moved to the Boston area, and it was there that he broke into acting. At the age of eight, he starred in PBS's marine biology-themed The Voyage of the Mimi, endearing himself to junior high school science classes everywhere. The same year he made Mimi, Affleck made the acquaintance of Matt Damon, a boy two years his senior who lived down the street. The two became best friends and, of course, eventual collaborators.   After a fling with higher education at both the University of Vermont and California's Occidental College, Affleck set out for Hollywood. He began appearing in made-for-TV movies and had a small role in School Ties, a 1992 film that also featured Damon. Further bit work followed in Richard Linklater's Dazed and Confused (1993) and Kevin Smith's Mallrats (1995). Around this time, both Affleck and Damon were getting fed up with the lack of substantial work to be found in Hollywood, and they decided to write a screenplay that would feature them as the leads. Affleck's brother Casey introduced them to Gus Van Sant, who had directed Casey in To Die For. Thanks to Van Sant's interest, the script was picked up by Miramax, and in 1997 the story of a troubled mathematical genius living in South Boston became known as Good Will Hunting. Before the film's release, Affleck starred in Smith's Chasing Amy that same year; the tale of a comic book artist (Affleck) in love with a lesbian (Joey Lauren Adams), it received good reviews and showed Affleck to be a viable leading man. The subsequent success of Good Will Hunting and the Best Original Screenplay Oscar awarded to Affleck and Damon effectively transformed both young men from struggling actors into Hollywood golden boys. Having won his own Golden Boy, Affleck settled comfortably into a reputation as one of the industry's most promising young actors. His status was further enhanced by widespread media reports of an ongoing relationship with Gwyneth Paltrow.   The following year, Affleck could be seen in no less than three major films, ranging from his self-mocking supporting role in the Oscar-winning period comedy Shakespeare in Love to the thriller Phantoms to the big-budget box-office monster Armageddon. In 1999, Affleck continued to keep busy, appearing in a dizzying four movies. He could be seen as a dull bartender in 200 Cigarettes, an errant groom in Forces of Nature, a stock market head hunter in The Boiler Room, and a supporting cast member in Billy Bob Thornton's sophomore directorial effort, Daddy and Them. Finally, Affleck reunited with Smith and Damon for Dogma, starring with the latter as a pair of fallen angels in one of the year's more controversial films. In 2000, he would appear as an ex-con trying to mend his ways in Reindeer Games, with Charlize Theron. Re-teaming with Armageddon cohort Michael Bay again in 2001 for another exercise in overbudgeted excess, Affleck flew into action in Pearl Harbor. Despite unanimous lambasting from critics, Pearl Harbor blasted to number one at the box office, earning .2 million on its Memorial Day weekend opening and beginning a summer-2001 trend of high profile films with precipitous box-office runs. Following a self-mocking return to the Smith collective in Jay and Silent Bob Strike Back (2001) and spearheading, along with Damon, the innovative HBO series Project: Greenlight, Affleck returned to the Hollywood machine with roles in Changing Lanes and The Sum of All Fears (both 2002). Filling the shoes of Harrison Ford as a green version of Ford's famous Jack Ryan persona, The Sum of All Fears contemplated a radical group's plan to detonate a nuclear weapon at a major sporting event during a time of particularly sensitive public distress at such an idea. With the massive success of Spider-Man in the summer of 2002 prompting numerous comic-book superhero revivals, Affleck would next suit up for the role of Daredevil. As a lawyer turned into a true public defender following a mishap involving radioactive waste, Daredevil's incredibly enhanced senses enable him to get the jump on New York City evil-doers and with his athletic physique and heroically protruding chin Affleck seemed just the man to suit-up for the job. If Affleck's turn as a blind crimefighter found dedicated comic book fans turning up their noses in disgust, the lukewarm performance of that particular effort would hardly compare to the critical lashing of his subsequent efforts Gigli, Paycheck, and Jersey Girl. A notorious flop that couldn't be mentioned to movie lovers without fear of derisive laughter, Gigli alone would have likely sunken the career of a lesser star. Though Hollywood gossip rags were indeed talking about Affleck, it was more the result of his turbulent relationship with singer and Gigli co-star Jennifer Lopez than it was anything to do with his acting career.   Just when it seemed that the ubiquitous "Ben and Jen" gossip that fueled the tabloids couldn't get more tiresome, the celebrity power-couple broke up their frequently discussed engagement to the surpirse of only the most optimistic ! Channel viewer. Wed to Alias star Jennifer Garner in 2005, Affleck subsequently skewered Hollywood materialism in the showbiz comedy Man About Town before making a cameo in pal Smith's eagerly-anticipated sequel Clerks II. By this point Affleck was certainly no stranger to Hollywood controversy, a fact that likely played well into his decision to strap on the famous red cape to portray original television Superman George Reeves in the 2006 Tinseltown mystery Hollywoodland.   As the 2000's rolled onward, Affleck would appear in a number of films that garnered a lukewarm reception, like Smokin' Aces, He's Just Not That Into You, and State of Play. He would reverse that trend with a vengeance in 2007, directing and writing the critically acclaimed crime thriller Gone Baby Gone . He followed that up by directing and starring in The Town, and that film put Affleck squarely back into audiences' good graces. He immediately got to work on his next big project, working both behind and in front of the camera once again for the political thriller Argo which garnered strong reviews, solid box office, and a slew of year-end awards including Best Picture at the Academy Awards, even though Affleck was not nominated for Best Director.
Although she initially gained fame for her real-life role as Brad Pitt's girlfriend, Gwyneth Paltrow went on to build a solid reputation as one of the leading actresses of her generation. Repeatedly summoning comparisons to such classic presences as Grace Kelly, the blonde, blue-eyed Paltrow has won acclaim for her parts in a number of films, most notably Shakespeare in Love, for which she won a Best Actress Oscar in 1999.   The daughter of actress Blythe Danner and producer/director Bruce Paltrow, Paltrow was born in Los Angeles on September 28, 1972. When she was 11, her family moved to Massachusetts so that her father could direct summer stock productions -- it was there that the actress began to receive theatrical training under her parents' tutelage. Schooled at Manhattan's exclusive Spence School, Paltrow went on to study anthropology at the University of California before deciding to drop out to pursue her acting career. She got her first screen role in the 1991 movie Shout and in the same year she played the young Wendy in Steven Spielberg's Hook.   Two years later, Paltrow made her first significant impression with a chilling turn as a young con artist in Flesh and Bone. She went on to minor but memorable roles in Mrs. Parker and the Vicious Circle (1994) and Jefferson in Paris (1995) before earning her first true taste of fame with her part as Brad Pitt's wife in Seven (1995). Unfortunately, she got more attention for her status as the actor's girlfriend than for her work in the film, becoming one of the world's most photographed arm ornaments.   However, the actress was able to come into her own the following year with the title role in Douglas McGrath's adaptation of Emma. She won acclaim for her work and her flawless British accent, and the same year she could be seen in two more films: The Pallbearer, with David Schwimmer, and Paul Thomas Anderson's Hard Eight. However, it was not until 1998 -- having broken off her engagement with Pitt the previous year -- that Paltrow became better-known for her acting than for her ability to look good in designer evening gowns. That year, she had starring roles in no less than five films. Although both Hush and A Perfect Murder proved disappointments, and Great Expectations received mixed reviews, Paltrow's two English excursions, the comedy Sliding Doors and John Madden's Shakespeare in Love, netted positive receptions. The latter film drew particular acclaim, eventually winning seven Academy Awards, including Best Picture and Best Actress for Paltrow.   The following year, she had the lead in another high-profile project, Anthony Minghella's The Talented Mr. Ripley. Starring opposite Matt Damon, Jude Law, and Cate Blanchett, Paltrow took part in a film that boasted one of the most photogenic collections of young stars that audiences had seen that year and it further enhanced her reputation as one of the most celebrated members of her generation to step in front of a camera. As photogenic as she may be, however, Paltrow's healthy sense of humor would give the delicate actress the gusto she needed to take on the role of a 300-pound object of funnyman Jack Black's affection in the Farrelly brothers' cheerfully offensive Shallow Hal in 2001. With roles in The Anniversary Party, Possession, and Wes Anderson's The Royal Tenenbaums that same year, Paltrow's versatility and popularity showed no signs of waning - even if the subsequent flight attendant comedy View From the Top didn't even climb high enough at the box office to take a nosedive.   Of course the failure of View From the Top could not be placed squarely on the shoulders of Paltrow, and given the film's troubled production history it's a small wonder that the film was released at all. If that film had simply been a glazed-over comedy that gave its starlet little chance to shine, Paltrow would close out the year with a commendable and notably heavier performance in Sylvia. A film based on the life of literary legend Sylvia Plath, Sylvia couldn't have been more different than A View From the Top and provided Paltrow with a role she could truly sink her teeth into. Both her performance as well as the film itself fared fairly well through the duration of its limited art-house run, despite the fact that Plath's real life daughter Frieda Hughes publicly denounced the endeavor. The film also provided Paltrow with the opportunity to appear onscreen opposite her real-life mother Danner, who also played her ill-fated character's mother in the film.   In the wake of her accolades from Sylvia, Paltrow closed out 2003 by wedding Coldplay singer Chris Martin. The new family would soon expand five months later with the birth of their first child, a girl they bestowed with the unique moniker Apple Martin. But family life didn't slow Paltrow's film career too much. By Autumn she could be seen opposite Jude Law in the sci-fi actioner Sky Captain and the World of Tomorrow, and before the close of the year, audiences could catch her in director John Madden's Proof. Paltrow played a supporting role in the drama Infamous in (2006), and co-starred with Joaquin Phoenix in the 2008 romantic drama Two Lovers. Paltrow appeared in Iron Man (2008) and Iron Man 2 (2011) as the loyal assistant of zillionaire and hero du jour Tony Stark. The actress played a brief but vital role in Steven Soderbergh’s Contagion in 2011, and reprised her role in Iron Man for the summer blockbuster The Avengers in 2012.
Alex D. Linz kick-started his career when he approached his mother -- reportedly at the age of four -- and precociously expressed interest in appearing in television commercials. She obliged, and in seemingly no time, Linz had racked up filmed promotional spots for JC Penney, McDonald's, and other corporate giants. The young actor transitioned to scripted dramatic work with guest roles in series programs including The Young and the Restless and Step by Step, but achieved his biggest break when he signed to star in Home Alone 3 (1997), the third outing of 20th Century Fox and John Hughes' wildly successful franchise (a job Linz inherited from Macaulay Culkin). Though clearly a formulaic sequel, the film drew praise from no less than Roger Ebert (who proclaimed it better than the first two outings) and performed well at the box office and in ancillary, proving that Linz could hold his own onscreen.   After providing a voice in Disney's animated Tarzan (1999) and playing Gwyneth Paltrow's young son in the romantic drama Bounce (2000), Linz graduated to preteen roles as the lead in the Disney comedy Max Keeble's Big Move -- a farce about a seventh-grader who turns the tables on his bullies when he discovers his family's impending move -- little foreseeing the consequences. After several additional supporting roles, Linz next tackled the lead role in Choose Connor (2007). Undoubtedly his most sober and earnest assignment to date, the film told of a teenager ruthlessly exploited when he naïvely signs to work as a politico's (Steven Weber) young spokesperson.
A screenwriter turned director, Don Roos made his celebrated directorial debut with the 1998 The Opposite of Sex, a black comedy that provided hilarious and politically incorrect insights on the nature of love and sex from the point of view of a teen-from-hell anti-heroine (Christina Ricci). One of the year's most acclaimed films, Roos described it as "a post-AIDS kind of tale from the late '50s when there was the pill until AIDS there was a feeling that sex was careless and free and inconsequential and this movie has a different point of view."   Born in New York on April 14, 1955, Roos first became involved with screenwriting while an undergraduate at the University of Notre Dame, where he took a screenwriting course. Following graduation, he moved to Hollywood in 1978 and spent the next eight years writing and producing for television. During a sabbatical he wrote the screenplay for Love Field, which was made into a 1991 film starring Michelle Pfeiffer in an Oscar-nominated performance as a housewife traveling from Dallas to John F. Kennedy's funeral.   After scripting the Barbet Schroeder thriller Single White Female (1992), the women-on-the-road movie Boys on the Side (1995) (which he also executive produced), starring Drew Barrymore, Mary-Louise Parker, and Whoopi Goldberg, and the 1996 remake of Diabolique, Roos turned to directing. The shift, he was later quoted as saying, came out of the "sheer frustration of seeing [my] material handled by other people."   Following the success of The Opposite of Sex, which premiered to rave reviews at the 1998 Sundance Festival and acted as a critical breakthrough for both Roos (who earned an Independent Spirit Award for Best First Feature) and star Christina Ricci, Roos began working on his next project, Bounce. A romantic comedy-drama that starred Ben Affleck as a man who falls for a woman (Gwyneth Paltrow) whose husband's death he indirectly caused, it was released in 2000. That same year, Roos co-wrote Bless the Child, a thriller starring Kim Basinger, Rufus Sewell, and Sex co-conspirator Ricci.